All posts filed under: Art

Book! A collection of collections – Katy Jade Dobson

I have a book! For over two years this has been in the works. I knew very specifically how I wanted this book to look and feel. It was going to house years of artwork after all. The title Phosphenes comes from the name for the sensation of spots of colours and light that you see when you rub your eyes. A phenomena of seeing without light entering the eye. A title that inspired an earlier collection, and a word I find truly beautiful. At a huge 224 pages, simple hardback cover design with coloured hot foil pressed lettering emblazoned on the front and spine, aesthetically making this book a perfect coffee table book. Inside, the content design (by Ash Dowie) is sleek and minimal to offer more attention for the intricate and boldly colourful works that my signature style focuses on. It is separated into chapters and subchapters to collate my varying subject groups and styles as well as focuses on materials and colours also. I have introduced each chapter with my thoughts and …

The Entanglement Collection – Katy Jade Dobson

The Entanglement Collection I am so incredibly proud and excited to show you my new collection in full. Named after my love for quantum physics and the beautiful phenomenon of entangled particles reacting as one even at great distances, the notion that inspired my collection after noticing the patterns of evolution that a body of work takes. As I work on one idea, I find that I bring these marks and textures onto another. The collection laces together and binds. In my excitement to experience this again I took enthusiastically to a new collection. After studying the science of pigments in great detail, and really learning about the history and culture of colour usage I was compelled to start a collection of work that began from a love of colour and blossomed out into dreamlike abstract works. I worked from gut instinct and hoped to dispel my pre-planning ways in order to let the compositions form themselves as my hands intuitively glide. I wanted to create a new experience for myself in creating this artwork …

Adam Handling Chelsea – The Art Of Belmond

Last year I began a project that could only be described as a dream come true. To create bespoke artwork for an impossibly beautiful hotel in the heart of London. In a complete whirlwind of compositional sketches, late night note jotting, ideas bursting at the seams, scouring the internet for historical records and deciphering latin names for all kinds of botanical specimens… I set to work on a creating bespoke commissioned original oil paintings for the newly renovated building that would become one of the most lavish, expensive and artistically drenched hotels imaginable. The Belmond group have renovated a building, where the room marked 118 is famously the room where Oscar Wilde was arrested. The hotel is owned by the Cadogan family, a lineage steeped in rich history as the ancestors of Hans Sloane, the 18th century physician, naturalist, adventurer and collector noted for bequeathing his collection of 71 000 items to the British nation, thus providing the foundation of the British Museum, the British Library and the Natural History Museum. He traveled to Jamaica …

Lately…

It has been such a long time since I last wrote a blog post (1 year in fact) and I thought I would revive and refresh with a few teaser close ups of my newest collection that I’ve been working so hard on. But first allow me to explain my absence from writing (one of my favourite forms of expression alongside painting) and what I have coming up that warrants a blog post or two! The last blog post I wrote, I typed with a sleeping baby strapped to me in a baby sling, who had been walked around the kitchen table over and over whilst I sang Bohemian Rhapsody (not sure why, but this method seemed to work occasionally) until he fell asleep and freed up my hands somewhat. I could have cooked, but this was too loud or messy. I could have painted but the arm movements seemed to disturb him. So typing it was! Fast forward a year and the tiny sleeping baby is a walking, babbling, giggling, dancing and relentlessly curious …

Some of what I have worked on in 2018

2018 has kicked off to quite an eventful start, as I work on a collection, I have meanwhile worked on some smaller pieces that has helped me correct some of my skills with intricate details. I love to work large scale, and often find it difficult to change technique to fit a smaller canvas. Time for me has been particularly limited and there are certainly not enough hours in the day, but when I can I am painting, and trying to keep up the challenge of changing things up to better myself. This in part isn’t just trying new techniques, compositions and styles, but revising old ones and improving upon them! Here are just a few of what I have worked on this year, as well as commissions, great (white shark) and small! Each piece below is oil on wood panel, this is the way I mostly work! For any further information on any of my works, contact info@wishboneart.co.uk to be directed to a gallery near you! I also recently asked for what you would …

‘Jaws’ – Shark Painting

I am very excited that my original painting ‘Jaws’ is being made into a limited edition print, with editions of 75. It is a privilege that this piece is endorsed by The Shark Trust, a wonderful charity. The misunderstood nature of sharks means that their demise as a species is hugely overlooked. Their importance within the marine ecosystem is of such huge importance to the health of our oceans. There are many threats to sharks that can have adverse knock on affects. The global decline of sharks can create a cascading effect. As one of the ocean’s top predators, sharks have potential to structure ecosystems in crucial ways. Decline can mean rearrangement of marine communities. One of the biggest threats to sharks globally is overfishing.  This is fuelled by a large demand for shark products such as meat and fins, cartilage, leather, teeth and jaws. Other threats include finning (the cruel practice of cutting off a shark’s fins whilst alive. Also, pollution and habitat destruction contribute to the hugely declining numbers. Climate change and pollution …

The Dawn Chorus Collection

Dawn Chorus Nature’s greatest orchestra rivals many naturally occurring miracles each morning, as bird species from around the world mark their territory, make their presence known to mates, or call upon their flock in an enthusiastic symphony. A dawn chorus. Ranging from the beautifully delicate or well camouflaged species found in English woodlands, to the ostentatious birds of paradise parading around Indonesian forests. The intricate markings used for mating or territorial displays make perfect subjects and the plethora of species to celebrate is infinite. By encompassing the subjects in the beautiful colour ways that make them so mesmerising, I have hoped to capture the nature of each species in full concert. With extravagant blends of bright colours and bold textures, mixed with subtle areas of calm and reserve this collection of oil paintings was created to compliment the avian subjects through thoughtful composition and a love for the elegance of birds all around the world. For any information on this collection contact info@wishboneart.co.uk or one of the many wonderful galleries listed on my website here! …

Evolution of my Flamingos / Katy Jade Dobson

Did anyone else laugh at the flamingos on Planet Earth II? It is obvious then as an animal lover and colour lover combined, that flamingos would come up throughout my portfolio of work. In fact, they come up much further back than I remembered from the top of my head. Sifting through my past paintings I found a set of similar works that have evolved over time and gown in my experience. It appears that I loved flamingos just as much in 2012. Sitting these paintings side by side will always be inspirational to me, to show myself just how far I can push my work if I want to. Working on your art, or anything at all, can take years of daily dedication and pure hard work. I have applied this to my art with patience and looseness to help me grow. I have let my gut instinct walk me, and through that I have taught myself to paint images as I want them to be seen and will continue to grow further. Please …

New Release – Sea Life and Majestic Mammals

I am so excited to be donating a percentage of profits from my new sea life themed release to the Marine Conservation Society. They work hard to protect our living seas and the wildlife in them by keeping shores clean of litter, tackling overfishing of important species and offering marine life animal adoption schemes. Keeping our oceans clean and healthy for the environment and its inhabitants is invaluable work. I love what they do to proudly protect our sea life and I am thrilled to be working with them. These 2 original paintings are particular favourites of mine, for reasons in that portraying sea life is a different challenge altogether. I had never painted turtles before working on these sea turtles which shows them swimming amongst a midst of intricate colours and textures. I had watched videos of these serene creatures on YouTube before deciding the way in which I wanted to depict them. When working on forming a mammal painting there is a logic to consider when building the subject. The light source will highlight features and …

Virtue – A painting ensouled

It has so  far been rare that I connect to a painting that I produced quite as much as I did with Virtue: a light and ethereal take on a flock of doves. I enjoy working on every painting, some I would keep for myself and some I couldn’t wait to show the world and allow someone else to connect. Hoping for others to connect with your artwork is a pointless effort, it can only really be seen as you would like, if you paint with the intentions of making yourself feel a certain way. Only then, maybe someone else can channel into its meaning or create their own. I love this about art. Production based from feelings gives a timeless result to the artist. ‘Virtue’ came together incredibly fast for a painting of its vast size but tricky and slight proportions. It is often the case that when working so close to a large scale painting, you can become lost in the finer details, only to be surprised by what you produced when stepping away. It can …