All posts tagged: katy jade dobson

My Decade in Review!

I took this time to reflect on the past 10 years, and I started writing about it privately, and thought what the hell, share it with the world! So here are the last 10 year in almost Tolkein-esque like detail (minus the elves) Enjoy! 2010 I was 21. This was the year I graduated with a BA Honours in Fine Art. A course that has incredibly little to do with what I do now, but probably valuable in terms of the theoretical side of art, which I excelled at for the essays. Ironically, studio time and physically creating the art was not my forte on this course. I completed the final half of my final year at University, a 10 000 word dissertation on how the studio environment affects the outcome of the art. I also struggled with crippling anxiety, panic attacks almost on a weekly, sometimes daily basis, and the impending dread of post-university life. Once graduated I got a job back in my hometown, and would get the train on weekends to visit …

2020 Announcement!

If you’ve been following my work all this time (and it has been a while now since I started this blog) and you have kept up to do date recently on my artwork, then you may have noticed a bit of a change. After 5 great years with Wishbone Publishing I will be changing direction and working and trading as an independent artist. This has been a couple of months in the works in order to keep the transition as smooth as possible! Joining Wishbone was life changing for me and my work, I had hustled and grafted for almost 2 years before reaching out to Wishbone for representation, and the way they managed my work for the next few years was life altering. Alongside this fantastic opportunity they became family. Jack began working there around the same time that I signed, and he is now one of my best friends and stuck with me for life. (Sorry Jack.) As 2019 began to draw to a close I knew that a change was in order …

Book! A collection of collections – Katy Jade Dobson

I have a book! For over two years this has been in the works. I knew very specifically how I wanted this book to look and feel. It was going to house years of artwork after all. The title Phosphenes comes from the name for the sensation of spots of colours and light that you see when you rub your eyes. A phenomena of seeing without light entering the eye. A title that inspired an earlier collection, and a word I find truly beautiful. At a huge 224 pages, simple hardback cover design with coloured hot foil pressed lettering emblazoned on the front and spine, aesthetically making this book a perfect coffee table book. Inside, the content design (by Ash Dowie) is sleek and minimal to offer more attention for the intricate and boldly colourful works that my signature style focuses on. It is separated into chapters and subchapters to collate my varying subject groups and styles as well as focuses on materials and colours also. I have introduced each chapter with my thoughts and …

The Entanglement Collection – Katy Jade Dobson

The Entanglement Collection I am so incredibly proud and excited to show you my new collection in full. Named after my love for quantum physics and the beautiful phenomenon of entangled particles reacting as one even at great distances, the notion that inspired my collection after noticing the patterns of evolution that a body of work takes. As I work on one idea, I find that I bring these marks and textures onto another. The collection laces together and binds. In my excitement to experience this again I took enthusiastically to a new collection. After studying the science of pigments in great detail, and really learning about the history and culture of colour usage I was compelled to start a collection of work that began from a love of colour and blossomed out into dreamlike abstract works. I worked from gut instinct and hoped to dispel my pre-planning ways in order to let the compositions form themselves as my hands intuitively glide. I wanted to create a new experience for myself in creating this artwork …

Adam Handling Chelsea – The Art Of Belmond

Last year I began a project that could only be described as a dream come true. To create bespoke artwork for an impossibly beautiful hotel in the heart of London. In a complete whirlwind of compositional sketches, late night note jotting, ideas bursting at the seams, scouring the internet for historical records and deciphering latin names for all kinds of botanical specimens… I set to work on a creating bespoke commissioned original oil paintings for the newly renovated building that would become one of the most lavish, expensive and artistically drenched hotels imaginable. The Belmond group have renovated a building, where the room marked 118 is famously the room where Oscar Wilde was arrested. The hotel is owned by the Cadogan family, a lineage steeped in rich history as the ancestors of Hans Sloane, the 18th century physician, naturalist, adventurer and collector noted for bequeathing his collection of 71 000 items to the British nation, thus providing the foundation of the British Museum, the British Library and the Natural History Museum. He traveled to Jamaica …

Creative block – When your art doesn’t look how you want it to!

I love this topic. But I think there is another side to the conversation of creative blocks that doesn’t get mentioned. Maybe because it’s not about free creative expression and letting your brush work the canvas without a care or thought. Its logical. Its creation, but its not whimsical or freedom. I am talking about when your physical capabilities block the way you want your art to look. The subject of creative blocks and physical capabilities are intertwined but worlds apart. I don’t get creative blocks. I may have a day once in a blue moon where my paintings don’t come together as they usually would, or writing doesn’t flow out onto a keyboard like it often does. In fact I am so heavily flooded with ideas that I sometimes worry that I won’t have enough hours in my lifetime to create all the things I want to. I do understand creative blocks though, because I used to experience them in a way that symptomatically showed itself as frustration at life.  I know many people …

Lets stay connected

Lets stay connected. You and I have been connected for a little while. You actually see into every corner of my soul, if you do in fact look at my artwork. Scary. Sharing my sacred art space has been something I have felt more strongly towards for a long time now! From starting communities on FaceBook to trying to share more information on the how behind my artwork, for anyone interested in the creating side of my art. Whilst also adding additional information for the people who just enjoy the viewing or the more theoretical side. I know from my own experience that when I had made the decision to make my art more of a prominent feature in my life, the social media profiles of other artists were my biggest source of inspiration and drive. I waited for their next post, and I hoped for more information of the how. Be it how they created, how they marketed, anything! Because of the ever changing social media landscape and the difficulty staying connected to the …

Lately…

It has been such a long time since I last wrote a blog post (1 year in fact) and I thought I would revive and refresh with a few teaser close ups of my newest collection that I’ve been working so hard on. But first allow me to explain my absence from writing (one of my favourite forms of expression alongside painting) and what I have coming up that warrants a blog post or two! The last blog post I wrote, I typed with a sleeping baby strapped to me in a baby sling, who had been walked around the kitchen table over and over whilst I sang Bohemian Rhapsody (not sure why, but this method seemed to work occasionally) until he fell asleep and freed up my hands somewhat. I could have cooked, but this was too loud or messy. I could have painted but the arm movements seemed to disturb him. So typing it was! Fast forward a year and the tiny sleeping baby is a walking, babbling, giggling, dancing and relentlessly curious …

Some of what I have worked on in 2018

2018 has kicked off to quite an eventful start, as I work on a collection, I have meanwhile worked on some smaller pieces that has helped me correct some of my skills with intricate details. I love to work large scale, and often find it difficult to change technique to fit a smaller canvas. Time for me has been particularly limited and there are certainly not enough hours in the day, but when I can I am painting, and trying to keep up the challenge of changing things up to better myself. This in part isn’t just trying new techniques, compositions and styles, but revising old ones and improving upon them! Here are just a few of what I have worked on this year, as well as commissions, great (white shark) and small! Each piece below is oil on wood panel, this is the way I mostly work! For any further information on any of my works, contact info@wishboneart.co.uk to be directed to a gallery near you! I also recently asked for what you would …

How I began selling my Art

Selling artwork is not always an artist’s perogative. However not everyone has the luxury of creating for the joy. Of course that is where it has stemmed from for me, but in my early painting days getting the money for materials to work with was an important factor in actually being able to leisurely produce the work I was so inspired to do. I was working in a small coffee shop when I picked up on painting for the first time in years. University had left me a trembling mess of an artist, the soul crushing deadlines and inspiration stifling guidelines to follow for your work to be valid within the perimeters of that semester’s course had left me not wanting to even look at a paintbrush again. I loved working at the coffee shop and had the opportunity to talk to so many people on laid back shifts or quiet mornings. I had talked at length to a regular about art which left me wanting to use what little money I had left that …