Latest Posts

Very Short YouTube video – Oil Painting of starlings in flight

I am always looking at new ways to document the process of my work, I have done this in many ways already through creating time lapsed YouTube videos, to writing about it, to showing progress photos of close ups, sets ups and various stages of painting.

One of the most asked questions about my YouTube videos was if I could use a higher quality devise to record from because the videos were not clear enough. For me, with painting it is all about the visual and if the smallest of brush strokes cannot be seen then there is no point, these are the marks that make up the painting as a whole.

Ask and you shall receive! I am now working on getting to grips with better filming equipment to show more accurately what I am working on, and here is a very small taster of ‘Arcus Flight’ with a shot of John Frusciante. (Original painting sold, but soon available as a Limited Edition print)

Make sure you subscribe to my channel here ready for more videos very soon!

The Phosphenes Collection / Katy Jade Dobson

Phosphene

ˈfɒsfiːn/ noun / plural noun: phosphenes – ‘A sensation of a ring or spot of light produced by pressure on the eyeball or direct stimulation of the visual system other than by light.’

The second collection for Wishbone Publishing by Katy Jade Dobson boasts a deluge of rich, vivacious colours and opulent textures in a joining of traditional oil painting with a modern presence. This coupling of classic inspirations and techniques, with contemporary deliverance shows a bold omnipresence throughout Katy’s work.

Based heavily around the word ‘phosphenes’ as inspiration for this chromatic collection, the idea manifests within the aesthetics of each painting as the appliqué, the composition and the subjects themselves. Each subject is built up by a kaleidoscopic arrangement, a series that is adorned with ancient symbolism and original use of symmetry to show a partial balance to which the heavy embellishments do not adhere to. Much like the erratic and abstract styling of the work in relation to its classic subjects.

Finding inspiration in the old masters’ appreciation for wistful women and romantic visuals, free flowing elegance with willowy and ethereal intensions, the subjects are submerged within exuberant embellishments of lavish colours and delicate details. The presence of wildlife interlaces throughout the collection as both symbolic connections or forefront subjects.

This collection celebrates a pure greed for colours, and to challenge the idea of the necessary reflections and absorptions of light to show ‘true to nature’ colours, when with the phenomena of phosphenes, no light needs to be present to see such a vibrant display.

*Mostly sold out from Wishbone Publishing, to enquire about the availability of the originals or Limited Editions from this collection send an email to info@wishboneart.co.uk or locate a gallery at http://www.wishboneart.co.uk

Bees have been subjects of heavy symbolism throughout the ages, adorning tombs and paintings with various meanings. Bees can symbolise life circulation and preservation. A lot of the basis of pollen circulation is from the natural seduction of vivid colours, also a basis for the work of the Phosphene collection.

‘Nectar of the Gods’
Bees have been subjects of heavy symbolism throughout the ages, adorning tombs and paintings with various meanings. Bees can symbolise life circulation and preservation. A lot of the basis of pollen circulation is from the natural seduction of vivid colours, also a basis for the work of the Phosphene collection.

'Wingspan 'A fresh and lively piece, showing the erratic flight path of a set of released doves, controlled and refined by symmetry. Peaceful in subject and composition, but the nature of unguided wildlife in action supersedes this, which is evident in the capricious movements.

‘Wingspan
‘A fresh and lively piece, showing the erratic flight path of a set of released doves, controlled and refined by symmetry. Peaceful in subject and composition, but the nature of unguided wildlife in action supersedes this, which is evident in the capricious movements.

'Opium I' Opium I & 11 - Opiates remove feelings of pain and replace with feelings of euphorea. This set of 2 paintings are a play on colours and embelishments that make a replacement from traditional 'true to life' colours to a whimsical display of colours across the spectrum. A euphoric replacement.

‘Opium I’
Opium I & 11 – Opiates remove feelings of pain and replace with feelings of euphorea. This set of 2 paintings are a play on colours and embelishments that make a replacement from traditional ‘true to life’ colours to a whimsical display of colours across the spectrum. A euphoric replacement.

'Opium II' Opium I & 11 - Opiates remove feelings of pain and replace with feelings of euphorea. This set of 2 paintings are a play on colours and embelishments that make a replacement from traditional 'true to life' colours to a whimsical display of colours across the spectrum. A euphoric replacement.

‘Opium II’
Opium I & 11 – Opiates remove feelings of pain and replace with feelings of euphorea. This set of 2 paintings are a play on colours and embelishments that make a replacement from traditional ‘true to life’ colours to a whimsical display of colours across the spectrum. A euphoric replacement.

'Totum' Named after the idea that peacocks represent art within art. Ornate and elaborate by nature, in part a direct reflection of the idea of this collection as a whole.

‘Totum’
Named after the idea that peacocks represent art within art. Ornate and elaborate by nature, in part a direct reflection of the idea of this collection as a whole.

'Lepideptora' Lepidopteran (moth and butterfly) species are characterized by the individual scales, built of hairs covering the wings and bodies that create the vivid colours and unique patterns. Much like the impressionist brush strokes that build up to make an abundantly textured painting.

‘Lepideptora’
Lepidopteran (moth and butterfly) species are characterized by the individual scales, built of hairs covering the wings and bodies that create the vivid colours and unique patterns. Much like the impressionist brush strokes that build up to make an abundantly textured painting.

'Celstial' A modern take on the angelic inspiration of the old masters. Heads facing upward in relation to the sky/heavens, adorned with cherubs. Interweaving classic renaissance ideals with contemporary colours and styles.

‘Celstial’
A modern take on the angelic inspiration of the old masters. Heads facing upward in relation to the sky/heavens, adorned with cherubs. Interweaving classic renaissance ideals with contemporary colours and styles.

'Pride' One of my favorite animals brought to life in adherence to the style of the Phosphenes collection. Abstract in composition and playful in colour use.

‘Pride’
One of my favorite animals brought to life in adherence to the style of the Phosphenes collection. Abstract in composition and playful in colour use.

'Seraphic' One of my favorite animals brought to life in adherence to the style of the Phosphenes collection. Abstract in composition and playful in colour use.

‘Seraphic’
One of my favorite animals brought to life in adherence to the style of the Phosphenes collection. Abstract in composition and playful in colour use.

'Serpens' Coiled snakes with fine scales show a fun and bright reflection of the use of colour within this collection. Symbolism of snakes and slyness can be interpreted individually as the snakes coil around the subject engaging directly with the otherwise symmetrical figures, like the embellished brush strokes that create the abstract tendencies throughout the collection.

‘Serpens’
Coiled snakes with fine scales show a fun and bright reflection of the use of colour within this collection. Symbolism of snakes and slyness can be interpreted individually as the snakes coil around the subject engaging directly with the otherwise symmetrical figures, like the embellished brush strokes that create the abstract tendencies throughout the collection.

'Cherubim' Playful cherubs amid structured parallel figures. Fancifully guilding an otherwise deliberate composition.

‘Cherubim’
Playful cherubs amid structured parallel figures. Fancifully guilding an otherwise deliberate composition.

'Ivy'

‘Ivy’

'Refract' An abstract piece based on the idea of light refracting in a prism, breaking down the colours and the subject viewed through the glass into multiple peripheral states. The colours and the florals are painted from an impressionist stance as hints and suggestions.

‘Refract’
An abstract piece based on the idea of light refracting in a prism, breaking down the colours and the subject viewed through the glass into multiple peripheral states. The colours and the florals are painted from an impressionist stance as hints and suggestions.

'Royal Jelly'  Bees produce royal jelly to feed to the larva of a potential queen bee. A single subject becoming built upon to thrive above others.The focus of adorning and embellishing a single subject can feel like adding charactoristics to a humble small beginning.

‘Royal Jelly’
Bees produce royal jelly to feed to the larva of a potential queen bee. A single subject becoming built upon to thrive above others.The focus of adorning and embellishing a single subject can feel like adding charactoristics to a humble small beginning.

'Sky' A peaceful and subtle study of symmetrical figures, paying attention to colours and textures to show for light and tone

‘Sky’
A peaceful and subtle study of symmetrical figures, paying attention to colours and textures to show for light and tone

My Collection Endorsed by the Born Free Foundation

My first collection released with Wishbone Publishing featured expressive wildlife oil paintings ranging from elephants to doves and many species in-between. It was a privilege for me to have The Spectrum Collection endorsed by the Born Free Foundation, meaning that 10% of proceeds went directly to this incredible cause that takes action to stop suffering and protect species in the wild.

Over £4000 was raised for Born Free, the response was fantastic and to know that my paintings will have contributed to this cause is amazing.

A Limited Edition print of ‘Chimaruka’ (the original painting of a gorilla named after one of the gorillas that can be adopted through the Born Free Foundation) was sent to the Born Free offices and I kindly received an image of Virginia McKenna with their artwork.

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The Wildlife Art of Katy Jade Dobson

A great article about ‘His Majesty’ from my Spectrum Collection with some thoughts and comparisons.

George Thornton Art's avatarGEORGE THORNTON ART

Mother and Baby“Mother and Baby”

This young artist, based in Lincoln, (UK) demonstrates her love and understanding of her medium in her ethereal, colour rich paintings of wildlife. Inspired by the work of French artist Odilon Redon, Dobson brings a lavish quality to the animals that she depicts on canvas. Brush strokes, scratches and the sheer exuberance of the laying on of paint make her exciting representations of noble beasts a pleasure to behold. But given the popularity of animals as subject matter, evidenced in the success of David Shepherd’s work over the years, is Dobson’s work the 21st century’s answer to wildlife painting?

By way of comparison, David Shepherd’s work ‘Ahmed’

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and Katy Jade Dobson’s work ‘His Majesty’

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both show a bull elephant in his pride, fully alert and looking frankly magnificent. But how does our response to the different way these beasts are shown evidence a shift in taste in…

View original post 311 more words

Second Collection of Original Oil Paintings with Wishbone Publishing / Katy Jade Dobson

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I have been working recently on my second collection with Wishbone Publishing, a collection that I am incredibly   excited about. It has been a lot of fun to work on and showcases a lot of what I have learnt in the last few years as a professional artist. But above that I have injected mainly what I enjoy within this collection, the learning curve is palpable in the application and I love that it is raw and exposed in these original oil paintings.

My work as always is selfishly about my process, my work thrives when my heart is fully engaged and I do not stop until the atmosphere is intimate and blatant. The success of my last collection was immensely unexpected and I am incredibly grateful to anyone who has supported my work over the last couple of years as I have found my feet. What I took from working solely on a full body of work is that your headspace during this period of creating can be temporary and down to circumstance. The kind of music you listen to at the time of painting, the weather, your personal stance,  everything combines and drips into the work and sometimes is something that cannot be revisited. In the same way a scent can jog your memory, my collections of work take me back to a different moment in time. Alternatively, without realising you might revisit this headspace as a reflex.

This next collection will be available as original oil paintings of various sizes, original hand drawn sketches and limited edition prints, and I am so excited to show you!!! Expect rich and contrasting textures, colour in abundance and a shift in composition and styles.

Keep an eye out for my upcoming exhibitions in 2015 (there are quite a few…) and to stay up to date with my progress follow me on Instagram, Twitter and Facebook for regular updates!

To inquire about my work, send an email to info@wishboneart.co.uk

Inspirations and Influences for Paintings – Working on my new collection.

I have been working on a new collection lately,  with an idea in mind that I wanted to be incredibly specific with…

Without giving too much away,  I wanted to write about some of my influences in terms of colour and composition for my latest collection that I am currently working on with an insight into my favourite artists and images that have always inspired me. (Almost like a mood board of certain traits and aspects for this upcoming series of oil paintings.)

Starting with colour and my favourite artist Odilon Redon – I learnt of Redon whilst working on a project at college where I imitated some of his works in oil pastels, his abstract tendencies and backgrounds specifically have been one of the most consistant inspirations for my work and hugely in mind when painting recently. I studied his cleverly positioned colour and admired how they looked so spontaneous. It wasn’t until learning this practice in oil paints and in my own style that I found that using a lot of colour all at once in such an abstract way is incredibly difficult. To not be left with a muddy brown finish takes a lot of consideration with each brush stroke. Early on in my art career a well seasoned tattooist told me I had an ‘eye for colour much older than my years.’  This and my thought process, plus continued interest in using colour, derives souly from my Odilon Redon project when I was 16.

'Muse on Pegasus' - Odilon Redon

‘Muse on Pegasus’ – Odilon Redon

'Ophelia among the flowers' - Odilon Redon

‘Ophelia among the flowers’ – Odilon Redon

'Flowers' - Odilon Redon

‘Flowers’ – Odilon Redon

Claude Monet – I have been studying Monet’s water lilies, his best known and most famous subject throughout his career.  For me there are two qualities that I take from Monet’s work as the original impressionst and master of harmony. First is of course the colour, the rich pigments that as a whole show a soft atmosphere. (Specifically the blues and purples.) And Secondly are the tactile brush strokes that marked his presence and lead the way in this movement towards a more fluid and loose style of painting. In all of my paintings I want to see my brush strokes in a blatant, direct and obstinate manner, showing exactly where the artist has been and what it contributes by being there. The idea of such purposeful marks and leaving them so raw and exposed is a notion I carry through my work and very ardently in the current collection I am working on.

'Water Lillies' - Claude Monet

‘Water Lillies’ – Claude Monet

'Water Lillies' - Claude Monet

‘Water Lillies’ – Claude Monet

Another strong influence for my work has been old religious oil paintings. – There is a quality about religious paintings that have always completely entranced me, their meanings on a spiritual level have little to do with our generation and beliefs but that doesn’t mean they can’t be admired by everyone. For me the aesthetics are what I obsess over. The compositional qualities are always calculate of The Golden Ratio, which shows that universally, and in both nature and art, create a sound and visually pleasing quality that rests on harmony of detail and space. There is almost a vacantness about the subjects, but a beautiful and divine one at that. Where beautiful faces are surrounded by vasts of titian hair and splay willowy arms towards the heavens, draped in heavy materials surrounded by angels and clouds. Even scenes of battle and death are brought about with a sense of elegance and peace. It is these aesthetics that I have leaned towards in consideration for my newest collection. Although not to be dismissed is that amongst these beautiful paintings are centuries of iconic ideals and heavy symbolism in every aspect of the piece. (Composition, colour, subjects.)

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Oxymoronically, the last of my major influences for my recent works are images from the universe, more specifically Nebulas. (A cloud of gas or dust in outer space.) – I have used a lot of colour through my artworks in a way that makes something ordinary look slightly out of place. I throw it around to create huge bursts of abstraction that brightens up my day to create, and also looks distinctively unusual. But when you consider an image of The Peony Nebula you see something that is so abstract and colourful yet completely natural to our universe. It makes my brain spiral into the abyss just thinking of this kind of scale and the enormity of something of such colourful grandeur that is so far away but is also so similar to a an image of our delicate iris under a microscope.

Omega Nebula

Omega Nebula

Peony Nebula

Peony Nebula

Orion Nebula

Orion Nebula

To follow my work and painting progress find me on Twitter, Facebook and Instagram – @katyjadedobson

Also find my last body of work, The Spectrum Collection at my website www.katyjadedobson.co.uk which also lists affiliated galleries that may stock the Limited Edition’s of this collection! Be sure to take a look!

View my first collection with Wishbone Publishing here!!!

The Spectrum Collection in full! My first collection with Wishbone Publishing is now available to view, with a handful of originals selling before the release and now the availability of a selection of limited editions. 10% of the sales from this collection will be donated to the Born Free charity, I am incredibly proud to have Born Free endorse this collection and to be included on the Certificates of Authenticity received on purchase. BFF 05 trophy.ai If you have enjoyed my previous work then hopefully the Spectrum Collection will appeal to you with a chromatic explosion of my favourite jewel toned colours to embellish a variety of wildlife species, all regal, proud and spectacular in their own rights. My collection is a celebration of the beauty and abundance in nature and a practice of my painting style that is both intricate and loose, serene and chaotic. Also an emalgimation of traditional draft work oil painting, with abstract colour use and impasto tendancies. I hope you enjoy them! Enquire with Wishbone Publishing or Eyeball Gallery about the availability and prices of these pieces or visit my website for the list of affiliated galleries!

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‘His Majesty’ – 40×50″ Oil on wood panel – LIMITED EDITIONS AVAILABLE

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‘Opulent Peacocks’ – 40X40″ Oil on wood panel – LIMITED EDITIONS AVAILABLE

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‘Prism Stag’ – 35X40″ Oil on wood panel – LIMITED EDITIONS AVAILABLE

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‘Chimaruka’ – 25X35″ Oil on wood panel – LIMITED EDITIONS AVAILABLE

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‘Flamboyance’ – 20X35″ Oil on wood panel

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‘ Mother and Baby’ – 20×25″ Oil on wood panel – LIMITED EDITIONS AVAILABLE

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‘Spectrum Zebra’ – 40X40″ Oil on wood panel

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‘Daisy’ – 25×25″ Oil on wood panel – LIMITED EDITIONS AVAILABLE

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‘Daisy & friends’ 25X35″ Oil on wood panel

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‘Tranquility I’ – 40×40″ Oil on wood panel – LIMITED EDITIONS AVAILABLE

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‘Tranquility II’ – 30×30″ Oil on wood panel

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‘Tranquility III’ – 20×20″ Oil on wood panel

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‘Chroma Equus’ – 40×50″ Oil on wood panel

First Collection with Wishbone Publishing released tomorrow!

I am incredibly excited that tomorrow my first collection with Wishbone Publishing is released!

I have worked incredibly hard on the pieces that will be available as a set of originals, and limited edition prints. Some originals have already sold with the Cloud Gallery at Buy Art Fair in Manchester where I had a couple of pieces up for a first look.

The paintings are all oil on wood panel where I have worked hard to focus on attentional to detail juxtaposed with negative space, embellishments and an abundance of kaleidoscopic colours! It is a collection where my love for wildlife meets my traditional draftsman practice, and my obsession with opulent jewel toned colour bursts.

I have mentioned numerous times how difficult it has been to not post updates on the progress of my paintings, for the past 12 months I have posted every development I had recorded of my work, and whilst creating some of my best work yet I had not shown as much as a close up of a  piece in this collection. Which makes it all the more exciting for the release tomorrow.

Keep an eye out for updates tomorrow with links to affiliated galleries and to see the collection in full!

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My first collection of published paintings with Wishbone Publishing

It has been a while since I last posted about any of my workfor the last year I have been a rather punctual writer and always keen to share my paintings, my progress and chat about art, business, techniques and more.

My previous post however… was a bit of a thank you for supporting my artwork for the past year and to let you know how contributing to my posts, commenting, liking, sharing on social media etc has made me incredibly successful in marketing and selling my artwork, and more importantly, able to produce more and more. (Thank you again!!) I also mentioned that a fantastic opportunity had arisen that I had been holding out for and waiting for the right time and offer that felt right for me and my work.

I am very excited to be working on my first collection of published work for Wishbone Publishing.

I am incredibly proud to have my work alongside fantastic artists represented by Wishbone such as JJ Adams, Dean Fox and Joe Murtagh, and to be in the middle of producing my collection right now which I cannot yet show you! (But I can say it is some of my best work to date.)

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I am also incredibly happy, as the hugest animal lover you will ever know, that my collection will be endorsed by the Born Free Foundation. An incredible charity that cares for the safety and welfare of individual animals as well as protecting species, and stops cruelty and suffering toward wildlife. I am very proud to be involved with such a great foundation, especially through a collection of work that I hope shows the beauty and strength in wildlife, as I have always tried to portray through my paintings.

There will be a lot more information as my collection is complete and ready to be launched with Wishbone, which I cannot wait to share with you. Be sure to keep your eyes peeled for more information on stockists of my work, (which will be listed on my website) and thank you again for your overwhelming support.

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