New Work!
I have a lot of new work on the go! A series of elegant and detailed wildlife work with areas of serene calm. Here are a few examples of the backgrounds of these paintings (looking for a more dreamy and opulent style)
I have a lot of new work on the go! A series of elegant and detailed wildlife work with areas of serene calm. Here are a few examples of the backgrounds of these paintings (looking for a more dreamy and opulent style)
I am so happy that spring is on its way in! I have moved to an area where birds are always cheeping, there are flowers and trees everywhere! And my living space is always sun soaked. No better time to be a painter! I am currently looking at venues to exhibit in during the summer 2014 so keep an eye out for updates!!
I didn’t realise how lucky I had it, to have thrown myself in at the deep end and learn to paint with oils as quickly as I did. It was a medium I wanted as my friend and I threw it around until I made it work. I was going to shoehorn my work to intertwine with oils and do whatever it took. Luckily the shoe fit. It wasn’t until I went back to materials I had previously used before I taught myself how to paint properly, that I realised it is not how the material works for you but how you work the material. Watercolour painting is oil painting flipped on its head. This is my own interpretation. Where oils are malleable, subject to complete change in consistency and shape of the mark you just made, watercolours are not. With oils you could alter that one mark up to 3 or 4 days later. With watercolours you cannot. You have a matter of seconds to decide if the mark you just made was ‘correct’ …
Here are a few photos of my work lately, some portraiture work, commissions and sketchbook work! All along the theme of psychedelic colours… I have started to understand colour better and as I usually do, I just in at the deep end playing with every colour. I’m starting to refine my palettes somewhat to enhance the richness of my paintings. Katy x
I paint subjects that I am fond of, things that I believe to be pretty, aesthetic or bold with an air and an attitude around it. But the process is the reason I do it and the reason my work turns out the way it does. The subject is everybody’s, but the process is mine. Im unsure of why or if this is natural and every artist feels this way, but when I start a painting, the image in my head is the painting half finished. I can see the construction, the heavy sections and the areas left untold. This is the picture I am striving for and ultimitely what I am trying to achieve. This in my eyes is a finished piece, the process is such an enjoyable, meditative activity for me that my strong sence of belief in half built up pieces of art urges me to find this balance. The balance I look for once I achieve my half finished piece is skeletal juxtoposed with opulence. An oxymornic blend of intricate detail and …
I have been commissioned to paint a landscape piece, based on a photo taken by the commissioner himself. It began as a mixed media piece however took an oil paint turn when the effects seemed to better suit the atmosphere of the image I was working from. The canvas itself is beautifully made and so lovely to work from! It is coming together, finally. Maybe a few more sessions and it will be ready to show its owner.
Here is a piece I was commissioned to do, installed in the lovely Larch Lodge, Kenwick.
My first retired pallet 🙂 I am going to hang it on my wall as the first of many!
Zebra Oil on canvas – not completely sure where I am taking this just yet..