All posts tagged: pretty

‘Flutter’ Limited Edition Prints

A common question that I am asked is the distinction between ‘finishing or abandoning’ a painting (in terms of completing work) and which one applies to me?  There are two very different feelings when a painting is complete and is at most an unpredictable part of the process for me. Occasionally my idea is crystal clear enough to see when the finished version is in sight, or be unable to stop until I meet this mark in my mind. This is finishing the work that you set out with a cause, process and visual in mind. Abandoning the painting is a very different but equally as satisfying feeling, in when you reach a stage in the work where you feel it is right to stop. For whatever reason, it may be that the balance is right and anything more could be overworking it. Maybe you feel that what you are trying to put across has been successful and in going further could potentially spoil that. A number of reasons, even just that it ‘feels’ right to …

New Work!

I have a lot of new work on the go! A series of elegant and detailed wildlife work with areas of serene calm. Here are a few examples of the backgrounds of these paintings (looking for a more dreamy and opulent style)              

King Fisher Charcoal Sketches

I LOVE charcoal! It creates such a beautiful contrast between soft blending and sharp marks. I used to use charcoal in all of my mixed media pieces, which is why I decided to revisit this material. I have finished my first of a set of sketches of large scale charcoal studies. The charcoal can be so complimentative to create the tonal qualities and pick up on the minuscule detailing of the feathers. The geometric shapes just seemed to fit… I really like this idea to bring something new to the sketches and almost a bit of compositional framing and imbalance, which I love. I am excited to create the next two, I have them all set up and ready to go! I am still deciding on the subject. Koi carps are a favourite of mine at the moment and could work beautifully…   Any ideas??    


A word that finally makes sense of the ‘abstract embellishment’ I aim to create in my paintings – ‘Phosphenes’ phos·phene   (fŏs′fēn′) n. A sensation of light caused by excitation of the retina by mechanical or electrical means rather than by light, as when the eyeballs are pressed through closed lids. [French phosphène : Greek phōs, light; see phos- + Greek phainein, to cause to appear, to show; see bhā-1 in Indo-European roots.] The sensation when you rub your eyes and see colours and lights actually has a name. I remember doing this as a child and seeing a kalaidoscoptic range that didn’t actually exist, there was no presence of light, it is in fact a bit of a phenomena. On learning this word it made sense of my colourful detailing that I throw into my paintings, which before was described as abstraction. I felt there was more of an elegant and rich description for the marks I aim to make in my work . It was less about creating abstraction and more about ’embellishing;’ a word I use a lot when describing my work. I …